Click a tab, immediately below, for detailed information on becoming an "extra" in this spring's Turandot.

Extras! Extras!

EXTRAS! EXTRAS!

Michigan Opera Theatre is always looking for Supernumeraries to perform in its opera or dance productions. Supernumeraries, or “supers,” are non-singing, non-speaking cast members (similar to extras in movies). In opera or dance, supers often play specific character roles, such as servants, waiters, innkeepers, executioners, slave dealers and etc.

If you are interested in being a super, please email your STREET ADDRESS to:

Elizabeth Anderson
Production Coordinator
elizabeth@motopera.org 

For more opportunities as an extra, scroll through the tabs, above.


Turandot Extras

 

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If you are interested in participating in becoming an extra and can attend the audition, contact me. That’s all it takes! One phone call (or an e-mail) and you could be a part of the Michigan Opera Theatre’s 2013-2014 Season! Please consider auditioning if you are available.

Please contact me to let me know you can attend the audition. Over the coming weeks, I will compile a list of those interested in each show. That list will be given to the director and assistant director when they arrive. All you need to do is show up to the audition.

At the audition the director will explain the extra roles as they apply to the opera and choose those potential individuals they feel would fit the role (and the costume) the best.

In addition to an unforgettable experience, extras receive free parking, 2 complimentary tickets to a performance, 2 passes for guests to attend the final dress rehearsal and a one-time $60 stipend.

Be advised that you must to be available for ALL rehearsals and performances. When you contact me, please let me know of any conflicts you may have with the staging rehearsals.

THANK YOU!

 

AUDITION - APRIL 21 @ 7:30PM             

Elizabeth Anderson
Production Coordinator
313.237-3405 direct line
elizabeth@motopera.org

Turandot Story

THE STORY…

 

Act I

Outside the Imperial Palace in Peking, a mandarin reads an edict to the crowd: any prince seeking to marry the princess Turandot must answer three riddles. If he fails, he will die. The most recent suitor, the Prince of Persia, is to be executed at the moon’s rising. Among the onlookers are the slave girl Liù, her aged master, and the young Calàf, who recognizes the old man as his long lost father, Timur, vanquished King of Tartary. When Timur reveals that only Liù has remained faithful to him, Calàf asks why. She replies that once, long ago, Calàf smiled at her. The mob cries for blood but greets the rising moon with a sudden fearful silence. When the Prince of Persia is led to his execution, the crowd calls upon the princess to spare him. Turandot appears, and with a contemptuous gesture orders that the execution proceed. As the victim’s death cry is heard from the distance, Calàf, transfixed by the beauty of the unattainable princess, strides to the gong that announces a new suitor. Suddenly Turandot’s three ministers, Ping, Pang, and Pong, appear to discourage him. Timur and the tearful Liù also beg him not to risk his life (“Signore, ascolta!”). Calàf tries to comfort her (“Non piangere, Liù”) but then strikes the gong and calls Turandot’s name.

Act II

Inside the palace, Ping, Pang, and Pong lament Turandot’s bloody reign, praying that love will conquer her heart and restore peace. The three let their thoughts wander to their peaceful country homes (Trio: “Ho una casa nell’Honan”), but the noise of the people gathering to hear Turandot question the new challenger calls them back to reality.

The old emperor asks Calàf to reconsider, but he will not be dissuaded. Turandot enters and describes how her beautiful ancestor, Princess Lou-Ling, was abducted and killed by a conquering prince. In revenge, she has turned against men and determined that none shall ever possess her (“In questa reggia”). Facing Calàf, she poses her first question: What is born each night and dies each dawn? “Hope,” Calàf answers, correctly. Turandot continues: What flickers red and warm like a flame, yet is not a flame? “Blood,” Calàf replies after a moment’s thought. Shaken, Turandot delivers the third riddle: What is like ice but burns? Tense silence prevails until Calàf triumphantly cries, “Turandot!” The crowd erupts in joy, and the princess vainly begs her father not to give her to the stranger. Hoping to win her love, Calàf offers Turandot a challenge of his own: if she can learn his name by dawn, he will forfeit his life.

Act III

In the Imperial Gardens, Calàf hears a proclamation: on pain of death no one in Peking shall sleep until Turandot learns the stranger’s name. Calàf is certain of his victory (“Nessun dorma!”), but Ping, Pang, and Pong try to bribe him to leave the city. As the fearful mob threatens him to learn his name, soldiers drag in Liù and Timur. Calàf tries to convince the crowd that neither of them knows his secret. When Turandot appears, commanding Timur to speak, Liù replies that she alone knows the stranger’s identity and will never reveal it. She is tortured but remains silent. Impressed by such fortitude, Turandot asks Liù’s secret. It is love, she replies. When the soldiers intensify the torture, Liù tells Turandot that she, too, will know the joys of love (“Tu, che di gel sei cinta”). Then she snatches a dagger and kills herself. The crowd forms a funeral procession and the body is taken away. Turandot remains alone to confront Calàf, who impetuously kisses her (Duet: “Principessa di morte!”). Knowing emotion for the first time, Turandot weeps (“Del primo pianto”). Calàf, now sure of winning her, reveals his identity.

Once again before the emperor’s throne, Turandot declares she knows the stranger’s name: it is "Love."

AUDITION - Monday, April 21 @ 7:30PM             

Elizabeth Anderson
Production Coordinator
313.237-3405 direct line
elizabeth@motopera.org

Turandot Roles

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