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Single tickets: Onsale August 20.
MOT Premiere! The classic Brothers Grimm fairytale like you’ve never seen it before! With award-winning puppetry by Basil Twist, audiences enjoy a lavish production featuring flying angels, dancing gingerbread and a larger-than-life witch. And Humperdinck’s rich, lyrical score complete’s the magic!
Hansel and Gretel (Hänsel und Gretel)
Opera in three acts
Music by Engelbert Humperdinck
Libretto by Adelheid Wette, based on the Grimm fairy tale
Premiered in Weimar, 1893
Conducted by Stephen Lord | Directed by Basil Twist
Production design by Basil Twist
Sung in German with projected English supertitle translations
Run time is 2 hours, 15 minutes
Described as “brilliant” by Opera News, tenor Matthew DiBattista has performed on both the operatic and concert stage with such conductors as James Conlon, Seiji Ozawa, Keith Lockhart, and Robert Shaw in the United States, Italy, France, and Portugal. He sings the title role in Kamran Ince’s Judgment of Midas, newly released on Albany Records.
Sandman, Dew Fairy
Soprano Cheyanne Coss is a recent graduate of New England Conservatory, where she performed the roles of Iphigénie in Gluck’s “Iphigénie en Tauride”and Sandrina in Mozart’s “La Finta Giardiniera.” This summer, she will make her San Francisco debut in the role of Aminta in Mozart’s “Il Re Pastore”with the Merola Opera Program. Cheyanne has also performed with Chautauqua Opera, Charleston Symphony Orchestra, and Opera Theatre of Saint Louis. Cheyanne has won several competitions, including First Place in the William C. Byrd Young Artist Competition, the David Daniels Young Artist Competition and second place in the FAVA Grand Concours Competition. Next season, Cheyanne will make her debut as Pamina in “The Magic Flute”with Opera Grand Rapids and Toledo Opera. As the new Michigan Opera Theatre Studio soprano, she will perform Berta in “The Barber of Seville,” Dew Fairy in “Hansel and Gretel” and Paquette in “Candide.” Cheyanne hails from Eaton Rapids, Mich. and is a proud alumna of Oakland University.
Sandman, Dew Fairy
Dew Fairy, Sandman
Mezzo-soprano Katherine DeYoung is a native of Traverse City, Mich. and is delighted to join the Michigan Opera Theatre Studio. Recently, Katherine completed her master’s degree at the University of Houston where she performed Isabella in “L’Italiana in Algeri,” Gertrude in “Romeo et Juliette,” and Elizabeth Proctor in “The Crucible.” Her favorite role performed is the title role in “Carmen” with Opera in the Ozarks. This summer, Katherine looks forward to joining Santa Fe Opera as a member of the apprentice singer program. Next season with Michigan Opera Theatre, she will perform Sandman and cover Hansel in “Hansel and Gretel,” perform Old Lady in “Candide” and cover Olga in “Eugene Onegin.” Katherine is a District Winner of the 2018 Metropolitan Opera National Council Auditions and is an alumna of Michigan State University.
Dew Fairy, Sandman
Stephen Lord joined Michigan Opera Theatre as Principal Conductor in November 2016, and he will lead the company’s artistic activities through the 2018-19 season.
Opera News named Lord one of the “25 Most Powerful Names in U.S. Opera” (one of four conductors), and he is continually praised for conducting both traditional and contemporary operatic works. For his debut with San Francisco Opera, conducting Rigoletto, one critic observed, “He partnered his singers perfectly and gave everything its proper weight – he was master of the score’s details and the orchestra played superbly for him.” He is currently music director emeritus for Opera Theatre of Saint Louis and was formerly the music director of Boston Lyric Opera.
Basil Twist is a puppeteer now living in New York. He is the sole American to graduate from the École Supérieure Nationale des Arts de la Marionnette in Charleville-Mezieres, France. Basil’s showmanship was spotlighted in New York by “The Jim Henson International Festival of Puppetry” with his award winning “The Araneidae Show.” Coupled with the critically & popularly praised and multiple award-winning “Symphonie Fantastique,” Twist was revealed as a singular artist of unlimited imagination.
Highlights of Twist’s subsequent work have included “Petrushka” (commissioned by Lincoln Center) and “Dogugaeshi” (The Japan Society), “Behind the Lid” (Silver Whale Gallery) with Lee Nagrin and “Arias with a Twist” (HERE) co-created with nightlife icon Joey Arias. “Symphonie” and these productions have toured throughout the world.
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In the broom-maker’s house. Hansel complains he is hungry. Gretel shows him some milk that a neighbor has given for the family’s supper. The children dance. Their mother returns and wants to know why they have got so little work done. She accidentally spills the milk and chases the children out into the woods to pick strawberries.
Their father, a broom-maker, returns home drunk. He brings out the food he has bought, then asks where the children have gone. The mother tells him that she has sent them into the woods. He tells her about the Witch who lives there, and that the children are in danger. They go out into the woods to look for them.
In the woods. Hansel picks strawberries. The children hear a cuckoo singing and eat the strawberries. Soon they have eaten every one. In the sudden silence of the wood, Hansel admits to Gretel that he has lost the way. The children grow frightened.
The Sandman comes to bring them sleep, sprinkling sand over their eyes. The children say their evening prayer. In a dream, they see 14 angels.
The gingerbread house. The Dew Fairy comes to waken the children. Gretel wakes Hansel, and they see the gingerbread house. They do not notice the Witch. The Witch decides to fatten Hansel up and puts a spell on him. The oven is hot. Gretel breaks the Witch’s spell and sets Hansel free. When the Witch asks her to look in the oven, she pretends she doesn’t know how to: the Witch must show her. When the Witch peers into the oven, the children shove her inside and shut the door. The oven explodes. The gingerbread children come back to life. The mother and father find the children, and all express gratitude for their salvation.
—Courtesy Welsh National Opera